Multiculturalism in Chetan Bhaghat‟s Novel

Vol-4 | Issue-04 | April 2019 | Published Online: 15 April 2019    PDF ( 261 KB )
Author(s)
Mrs Kishori Patel 1; Dr Manisha Diwedi 2

1Research scholar, Dr. C.V Raman University, Kota Bilaspur (C.G) (India)

2Associate professor, Department of English, Dr. C.V Raman University, Kota Bilaspur (C.G) (India)

Abstract

Writing dependably fills in as the voice of each person and delineates needs the disadvantages and indecencies in the social frame wrok it give freedom to each tyrannized and over hrurld individual just as to a network to make known thier inward voice through it. The mediated Indian public sphere, despite its linguistic diversity, remains dominated by two dominant languages and their media—the more widespread Hindi, and the more profitable English media. Bhagat see the act of writing as profession rather than vocation, with fiction that is commercial and populist, driven by audience demands, and that invites fans rather than critical readers. Bhagat’s fictions have highly realistic style that gives precedence to local details and often an emphasis on regional cities rather than national metropolitan centers.

Keywords
Degenerating, contradicting, emotionless, contemporary, racism.
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