Marginalisation and Subaltern Voice in “The God of Small Things” -A Postcolonial Study
| Vol-4 | Issue-02 | February 2019 | Published Online: 10 February 2019 PDF ( 258 KB ) | ||
| DOI: https://doi.org/10.5281/zenodo.2565203 | ||
| Author(s) | ||
Dr Shafia Saleem
1;
Mr Muzafar Ahmad Pandit
2
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1Asst. Professor in English Govt. PG College Rajouri (India) 2Research Scholar in English SSSUTMS Sehore (India) |
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| Abstract | ||
The point of this article is to fundamentally consider Arundhati Roy's epic The God of Small Things from a postcolonial women's activist viewpoint, with an extraordinary spotlight on how she displays diverse portrayals of ladies, taking as a foundation the exchanges inside postcolonial women's liberation about subalternity and the portrayals of ladies from the supposed Third World in principle and writing, just as the idea of organization from Cultural Studies. This object came into consideration and looking at the three principle female characters in the novel: Mammachi, Baby Kochamma and Ammu, focusing on their diverse methods for identifying with the male saint of the novel, Velutha, an Untouchable in the waiting standing arrangement of India. The article contends that Roy has contributed with different portrayals of subaltern ladies in the 'Third World' who—in spite of their mistreated and minimized status—show office and are depicted as in charge of their own behavior. |
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| Keywords | ||
| Arundhati Roy, The God of Small Things, Subaltern, Third World ladies, Spivak | ||
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